November 2004
 
 
 
 

Rebranding:
corporate integrations

Necessary or Overworked?

 
 
All images have been used with permission. All images are copyrighted and strictly for educational and viewing purposes.
 
 
   
 
 

The new logo, designed by Landor, tries mightily to integrate two disparate commercial images. Kinko’s old logo didn’t have enough structural similarity to its new parent’s identity, so FedEx had to start fresh.

Several noteworthy touchstones can be found in the graphic element. The use of existing FedEx colors for the new icon nicely ties the parent company’s numerous services into Kinko’s visual presence. The light blue continues the FedEx trend of introducing muted secondary tones to complement its trademark purple. Most importantly, the star contains in it a right-facing purple triangle—a delightful nod to the allusive arrow in the original FedEx logo.

Simplifying the word “Kinko’s” to a thin sans-serif font is FedEx’s way of maintaining the brand name without encroaching on the master identity. Putting “Kinko’s” in the FedEx font would detract from the main logo, while keeping the original would not mesh as smoothly. FedEx clearly wants people to associate Kinko’s stores with FedEx, but it wants to maintain the brand equity of the chain it bought. Yahoo! performed a similar logo revision when it pulled Hotjobs into its master brand (see before and after ).

The new FedEx Kinko’s logo is not without critique. There is no apparent justification for the use of a sans-serif font for the additional text while the text add-ons to other FedEx logos (Freight, Ground, and so forth) use a serif one. Perhaps the old font can’t sit full-size next to the master brand, but the continuity is lost. The light blue in the icon represents one equal portion of FedEx as a whole, but it doesn’t seem to play a strong-enough role in defining the image as Kinko’s. And the asterisk (is that what it’s supposed to be?) doesn’t ring true as iconography: no other FedEx logo has a dingbat to call its own, so why does Kinko’s?

Still, the design succeeds far more than it fails. A quote from the FedEx brand FAQ sums up the initiative (paraphrased):

The icon represents the collection of the three kinds of FedEx services available at these locations—orange for global express shipping, green for ground shipping, and blue for the new retail business service centers. At the heart of the icon is purple, which is shared by all FedEx companies.”

Without a doubt, the new logo serves its purpose, and serves it well.

By David Wertheimer

 
 
   
 
 
This is slightly old news, but every time I think about it, I grow more and more angry. Paul Rand ’s classic UPS logo has been replaced with a two-tone, 3- D-look shield topped with a quasi-swoosh. The wordmark is set in a customized version of FF Dax , which many feel is already overused in corporate identities.

The logo was designed by New York-based FutureBrand . Notice IBM is listed as a partner on FutureBrand’s website. Let’s hope Rand’s IBM logo isn’t the next victim of ‘modernization’.

The UPS logo may have needed a functional update, but are those recognized design clichés really necessary? Has the era of designer-as-artist faded into the era of focus group-as-designer?

By Colin Hartnett
 
 
   
 
 
With the merge of Cingular Wireless and AT&T Wireless a new coporate Identity has been born...Well, sort of.

Cingular has kept their intriguing orange icon but has simply added the color blue to the equation. With AT&T's "How many bars do you have?" came the new slogan for both corporations, "Raising the bar".

Overall this logo has the best of both worlds. This logo works in uncanny ways.

By Karen Martin
 
 
 
 
 
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