Sol LeWitt:
conceptual artist


(1928-2007)

Born: Hartford, Connecticut
 
 
 
Biography
 
Sol LeWitt was born in 1928 in Hartford, Connecticut. After receiving his B.F.A. Degree from Syracuse University and serving in the Korean War as a graphic artist, he moved to New York in 1953, just as Abstract Expressionism was gaining public recognition. He found various jobs to support himself, including working for the young architect I.M. Pei as a graphic designer. This contact proved formative, for as LeWitt would later write, "An architect doesn't go off with a shovel and dig his foundation and lay every brick. He's still an artist".

For LeWitt and his colleagues, Abstract Expressionism had become an entrenched style that offered few new creative possibilities. LeWitt began to create works that utilized simple and impersonal geometric forms, exploring repetition and variations of a basic form or line as a way to achieve complex works. Perhaps most importantly, he evolved a working method for creating artworks based on simple directions, works that could be executed by others rather than the artist. The fertility of this approach is demonstrated by the aesthetic richness and variety of the wall drawings, none of which was drawn by him. LeWitt rejects the notion of art as a unique and precious object. Formulated from an initial idea outlined in a diagrammatic sketch accompanied by a set of instructions, his works are installed on the wall of the gallery or museum by a team of assistants, who rigorously follow the artist's directives. Some instructions are simple and straightforward, and some are long and complex. By placing his drawings directly on the wall of the gallery or museum, LeWitt merges his drawing with the architecture, while also calling into questions ideas about permanence, value, and conservation.
 
 
All Images are copyrighted and strictly for educational and viewing purposes.
 
 
 
Four-Sided Pyramid
Painted white wood pieces.
1997
 
 
 


Wall Drawing #681
Colored ink washes.
1993
 
 
  Wall Drawing #652
Photo by Richard Cheek
 
 
  Wall Drawing
Crown Point Press
657 Howard Street Entrance.
 
 
 


Splotch #3
Acrylic on fiberglass.
2000
 
 
 



Splotch #5
Acrylic on fiberglass.
2002
 
 
 



Splotch #15
Acrylic on fiberglass.
2005
 
 
 



Modular Open Cube Pieces
Wood and paint.
1976
 
 
  Drawing Series III
Ink and pencil on paper.
1969
 
 
 


Distorted Cubes
Linoleum cut, composition.
2001
 
 
 

Color & Black
Series of four color aquatints.
1991
 
 
 
Wavy Brushstrokes
Gouache on wove paper.
1996
 
 
 
Objectivity
Oil on canvas.
1962
 
 
 
 
Wall Drawing #565
Ink on wall.
1988
 
 
 
 
 
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