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Sol
LeWitt:
conceptual artist
(1928-2007)
Born: Hartford, Connecticut |
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Sol LeWitt was born
in 1928 in Hartford, Connecticut. After receiving
his B.F.A. Degree from Syracuse University and serving
in the Korean War as a graphic artist, he moved
to New York in 1953, just as Abstract Expressionism
was gaining public recognition. He found various
jobs to support himself, including working for the
young architect I.M. Pei as a graphic designer.
This contact proved formative, for as LeWitt would
later write, "An architect doesn't go off with a
shovel and dig his foundation and lay every brick.
He's still an artist".
For LeWitt and his colleagues, Abstract Expressionism
had become an entrenched style that offered few
new creative possibilities. LeWitt began to create
works that utilized simple and impersonal geometric
forms, exploring repetition and variations of
a basic form or line as a way to achieve complex
works. Perhaps most importantly, he evolved a
working method for creating artworks based on
simple directions, works that could be executed
by others rather than the artist. The fertility
of this approach is demonstrated by the aesthetic
richness and variety of the wall drawings, none
of which was drawn by him. LeWitt rejects the
notion of art as a unique and precious object.
Formulated from an initial idea outlined in a
diagrammatic sketch accompanied by a set of instructions,
his works are installed on the wall of the gallery
or museum by a team of assistants, who rigorously
follow the artist's directives. Some instructions
are simple and straightforward, and some are long
and complex. By placing his drawings directly
on the wall of the gallery or museum, LeWitt merges
his drawing with the architecture, while also
calling into questions ideas about permanence,
value, and conservation. |
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| All Images are copyrighted
and strictly for educational and viewing purposes. |
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Four-Sided Pyramid
Painted white wood pieces.
1997 |
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Wall Drawing #681
Colored ink washes.
1993 |
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Wall
Drawing #652
Photo by Richard Cheek |
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Wall
Drawing
Crown Point Press
657 Howard Street Entrance. |
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Splotch #3
Acrylic on fiberglass.
2000 |
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Splotch #5
Acrylic on fiberglass.
2002 |
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Splotch #15
Acrylic on fiberglass.
2005 |
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Modular Open Cube Pieces
Wood and paint.
1976 |
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Drawing
Series III
Ink and pencil on paper.
1969 |
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Distorted Cubes
Linoleum cut, composition.
2001 |
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Color
& Black
Series of four color aquatints.
1991 |
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Wavy Brushstrokes
Gouache on wove paper.
1996 |
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Objectivity
Oil on canvas.
1962 |
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Wall Drawing #565
Ink on wall.
1988 |
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