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Charles
Demuth:
painter
(1883-1935)
Born: Lancaster,
Pennsylvania |
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Charles Demuth was
one of the most stylistically innovative watercolor
artists of the 20th century. The son of a wealthy
Lancaster (Pennsylvania) tobacco merchant, Demuth
never had to seek social approval or work for
a living.
His introverted, imaginative character was strengthened
by a childhood hip illness that left him partly
lame and emotionally dependent on his mother.
He received some art lessons as a teenager but,
two years after graduating high school (1903),
he enrolled in introductory art courses at Philadelphia's
Drexel Institute of Art, Science, and Industry,
then (from 1905-10) completed his studies at the
Pennsylvania Academy of Fine Arts. There he trained
in painting under Thomas Anshutz (a pupil of Thomas
Eakins), came in contact with Japanese art, and
perfected his persona as a dandyfied and world
weary esthete after the manner of James McNeil
Whistler, Aubrey Beardsley and Oscar Wilde.
He twice voyaged to Paris and Berlin, in 1907
and 1912-13, where he saw firsthand works by Cezanne,
the Fauves, the German Expressionists, met expatriate
Americans such as John Marin and Marsden Hartley,
and enrolled in drawing courses at the Académie
Moderne.
He returned to live in Lancaster after the death
of his father in 1912, and began a lifelong relationship
with the architect Robert Locher. But he also
frequented the artistic circle around Alfred Stieglitz
(1864-1946) in New York City, and spent summer
vacations at New England's seaside resorts.
He had his first solo exhibition in 1914, in New
York, and quickly expanded his watercolor style
toward bright colors, expressive drawing, and
socially complex subjects. He also began to tackle
more ambitious and serious landscapes in an increasingly
refined and abstract style.
In 1920, Demuth was diagnosed with diabetes and
was often incapacitated by diabetic attacks, yet
he continued to work in Lancaster and travel to
New York. He made a final trip to Europe in 1921,
fell seriously ill, and was brought home by his
mother for insulin treatment at the Morristown
Sanitarium in New Jersey. He never regained full
health, and spent most of the rest of his life
working at home, a diabetic invalid.
In the late 1920s and early 1930s, Demuth created
large works in oil that range from prophetic Pop
iconography (his famous I Saw The Figure 5 in
Gold, 1928) and poster art to the urban industrial
visions of Precisionism. He exhibited in numerous
solo shows and in group shows with artists such
as Marin, O'Keeffe, Dove, Hartley, and Alfred
Stieglitz. Over a period of two decades he produced
more than one thousand drawings and paintings.
Demuth died of complications from diabetes in
1935, at age 51. In his will he bequeathed his
watercolors to Robert Locher and all his other
works to Georgia O'Keeffe. |
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| All Images are copyrighted
and strictly for educational and viewing purposes. |
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From
the Garden of the Chateau
Oil on canvas
1921-1925 |
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Apples
and Carrots
Watercolor on paper
1926 |
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The Figure 5 in Gold
Oil on canvas
1928 |
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Nana, Seated Left, and
Satin at Laure's Restaurant
Watercolor and pencil on paper
1916 |
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Eggplant and Tomatoes
Watercolor on paper
1926 |
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Zinnias and a Blue Dish with Lemons
Watercolor on paper
1924 |
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Rooftops and Trees
Watercolor and graphite on paper
1918 |
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